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NEW PRODUCT REVIEW -- DROBO
by
Larry Jordan
[This article was first published in the October, 2008, issue of
Larry's Final Cut Pro Newsletter. Click here to subscribe.]

Storage, as you know, is essential to video editing. Even better is
expandable storage. And the ideal is expandable, flexible storage.
And with that, cue the music, enter Drobo.
Drobo is a product of Data
Robotics. Recently, Mark
Fuccio, Senior
Director of Products and Markets, asked me if I'd like to review a
unit. Since I love reviewing new toys, I immediately said yes and
shortly thereafter, a Drobo appeared on my doorstep.
It arrived in two boxes - each about a cubic foot in size.
The first box held the Drobo and the second box held the drives. Unpacking
was a breeze - I especially like the fact that the Drobo came wrapped
in a cloth bag, rather than plastic. I also liked the overall humor
and friendliness in the packaging and instructions.
There are two cables that need to connect to the back of the unit
- a power cable and a FireWire 800 cable. The cables are a bit tricky
to put in, and I'd like a cable lock to help prevent the power cable
from detaching, but hooking this up is not difficult.
Drobo is not like any other hard disk or RAID I've ever worked with
before. It holds up to four standard-issue hard drives, which can be
purchased from any vendor, including Drobo. Unlike other RAIDs, however,
the drives don't have to be the same size, same speed, or even from
the same vendor. In my test unit, I was given drive sizes of 40, 250,
250, 750, and 1000 GB. (I'll explain the purpose of the fifth drive
in a minute.)

What makes Drobo different from other storage is that it always stores
your media in a protected state (like a RAID), but unlike a RAID, you
can expand your system by adding more, or larger, hard drives at any
time. Drobo reconfigures itself and re-protects your data automatically.
This expandability means that you can start with just two medium-sized
drives and add more storage as your needs increase. This is something
that can not be done without reformatting in a traditional RAID.
Note: Protected means that your data is
copied to at least two drives. That way, if one drive fails, your
data can be restored from the other drive. Most RAIDs provide protected
storage (RAID 0 does not). However, Drobo can provide protected storage
without using traditional RAID technology.
For my test, I installed four drives: 40, 250, 250, and 750 GB. There's
no RAID that I know of that allows you to mix drive sizes this way.
(It was also a delight not having to use a screw driver or socket wrench
to install them. They just slid in and locked.)

This combination of hard drives gave me a total of 496 GB in protected
storage. (The "Reserved for expansion" category is storage
that I could access if I replaced my small 40 GB drive with something
bigger.)
Drobo has gone through two generations so far: the first was a USB-connected
device, and the second is a FireWire 800 unit. My unit used a second
generation FireWire 800 connection. (Data Robotics also makes the DroboShare,
a unit which attaches to your network via Ethernet. While very useful
for general file storage and backups, this is too slow for video editing
and I decided not to test it.)
Installing from the included CD is simple. I was surprised at how
fast it formatted the disks - it was ready to accept data in less than
two minutes. During the installation it asked if I wanted to use the
Drobo with Time Machine. Since Time Machine only backs up the boot
drive, I said no.
Drobo has a software utility, called "Dashboard," that allows
you to manage the unit. After trying unsuccessfully to install Dashboard
as a widget, I realized it was a stand-alone application and placed
it in my Applications folder. Sigh...
During our conversation, Mark suggested I take a look at how the Drobo
could be useful in video editing. So
my first test looked at whether it would be fast enough to act
as primary storage; that is, as the main media drive, for editing.
And the short answer is: not really.

Any drive is fastest when it is empty. So, with the drives totally
empty, I used a current version of Blackmagic
Design's Disk Speed Test to learn that Drobo's average
disk read speed is 22.6 MB per second and its average write speed is
25.3 MB per second. While fast enough for DV and HDV, this is comparable
to a slow, single FireWire 400 hard drive.
Note #1: The Drobo web site shows an average write
speed of 34 MB/second and an average read speed of up to 55 MB/second.
Using this test, I was not able to achieve those speeds.
Note #2: Visible on the front panel
are ten lights that indicate how full the drive is. However, hidden
under the front cover are activity lights that show
when a transfer is taking place. If you want to see how hard your
unit is working, simply remove the magnetically attached front cover.
I then decided to see how long a data transfer would take. So I copied
120 GB of data (composed of a series of large R3D HD files) from an
internal RAID on my MacPro to the Drobo. It took 1 hour and 27 minutes
-- roughly equal to a transfer rate of 24 MB per second.

After the drive had all this additional data on it, I decided to replace
the 40 GB drive with a 750 GB one (i.e. instant storage expansion)
and watch it rebuild my data. So, I yanked out the 40 and
slapped in a new 750. Naturally, I didn't bother to turn off the
power -- just to see what happens.

It was great. Drobo took the new drive, added it to the system, and
reconfigured my storage from 496 GB to 1.3 TB. it took less than 30
seconds for the unit to reconfigure itself with the new drive.
Here's the Best Part - the Second Test
While the Drobo is too slow to be the main storage for many video
formats, such as Digibeta, DVCPRO-HD, ProRes, or anything uncompressed,
its expandability and data protection make it ideal for
use in acquiring tapeless media. Whether you are shooting P2, SxS,
or other tapeless video formats, all of them are MUCH slower than the
Drobo. This makes the Drobo very attractive in a production environment - it
instantly stores your data in a protected format, is fully expandable,
its physical size makes portability easy, and it is more than fast
enough to do the job.
As the video world rapidly goes tapeless, the Drobo has a significant
role to play in video production and capture. Best of all, its price
makes it very attractive.
An empty Drobo, ready to take drives, retails for $499. Since drives
can be purchased anywhere, in any size, prices for a fully-loaded Drobo
will vary. Buying a 4 TB unit from Data Robotics costs $1,099 (US)
retail.
Drobo is a lot of very slick technology packaged in a very
attractive box. If low-cost, expandability, and data security are more
important to you than speed, you need to look closely at Drobo.
http://www.drobo.com/Products/Index.html
UPDATE - Oct. 11
Mark Spencer asked:
Very nice review on the Drobo, but I do have one question. If the
Drobo is too slow for DVCPRO-HD, but it's fast enough for P2 - there's
a problem, because P2 IS DVCPRO-HD! Or am I misunderstanding you?
Larry replies: Good point.
What I was saying is that for editing (which requires multiple video
streams), its too slow. For transferring media from a tapeless source
(which is a single video stream with the ability to vary data transfer
rates as necesary), its really nice. I mean, for some things you could
edit from it. But that's leading to a weakness. Its strength is that
is an expandable system providing protected storage for your media.
Larry Jordan is a post-production consultant and an Apple-Certified Trainer in Digital Media with over 25 years experience as producer, director and editor with network, local and corporate credits. Based in Los Angeles, he's a member of both the Directors Guild of America and the Producers Guild of America.
The information in this article is believed to be accurate at the time of publication. However, the author assumes no liability in case things go wrong. Please use your best judgment in applying these suggestions.
The opinions expressed in this article are solely those of the author. This newsletter has not been reviewed or sanctioned by Apple or any other third party. All trademarks are the property of their respective owners and are mentioned here for editorial purposes only.
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