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EDITING ARTICLES

New ! Picking the Right Version of ProRes
With the release of Final Cut Studio 2, Apple created a new high-end codec entitled ProRes. With the release of Final Cut Studio (3) they expanded it from two variations to five. What is ProRes and how do you decide which version to use for your projects? Answering that question is the purpose of this article. (Published: Jul. 2010 ; Final Cut Pro v. 6, 7.x)

New ! Review: PhotoMotion 1.5 from GeeThree
Working with still images in video is hard, because images created on the computer are not compatible with video. A new software - PhotoMotion - seeks to solve a lot of the challenges in working with still images. This is a detailed review of how the product works. (Published: Jul. 2010 ; Final Cut Pro v. 6, 7.x)

New ! User Report: Fixing Corrupted FCP Project Files
Most of the time, Final Cut Pro projects are extremely stable. But, every so often, one gets corrupted. This report, written by Peter Sasowsky, describes how to fix a Final Cut Pro project file that is no longer stable. (Published: Jul. 2010 ; Final Cut Pro v. 5.0x, 5.1x, 6, 7.x)

New ! What Does "64-bit" Memory Addressing Really Mean?
64-bit memory addressing is new with OS X 10.6. But what does this really mean? And what does it mean for Final Cut Studio (3)? In this short, moderately technical, article, we take a look a this new term and what it means for the future of video editing. (Published: Jul. 2010 ; Studio Suite v. 3)

New ! Creating an Audio CD in Soundtrack Pro
Soundtrack Pro does not create audio CDs automatically, but you can still do so, if you know how. This article explains the steps. Also, Peter Neil, from the BBC, suggests another program that makes this process even easier. (Published: Jul. 2010 ; Soundtrack Pro v. 2.x, 3.x)

New ! Using EDLs with Tapeless Media
Most of the time, we edit using the final image quality from our cameras. But, in the case of HD-CAM SR, that may not be possible, as those video files are HUGE! In this article, a reader asks how to use EDLs when trying to capture tapeless media. Depending upon how the off-line, low-resolution images were created, this story has either a happy, or very sad, ending. You can read the options here. (Published: Jul. 2010 ; Final Cut Pro v. 7.x)

Creating Surround Sound Mixes
Surround sound mixing is even more of an art than standard stereo mixing. In this article, we take a quick look at channel allocations and some general thoughts to getting the right mix. (Published: Jun. 2010 ; Soundtrack Pro v. 1.x, 2.x, 3.x)

Gear Report: Covering the NAB 2010 Show for The Buzz
In this post-NAB 2010 report, I show how we covered this huge trade show for the Digital Production Buzz. 16 reporters, crew of 22, live hourly audio brodcasts, and daily one-hour show specials. This goes into the gear, the process, the file naming conventions ... everything. (Published: Jun. 2010 ; Soundtrack Pro v. 2.x, 3.x)

Review: Data Robotics Drobo Elite
Data Robotics released a new storage unit: the Drobo Elite. In this detailed product review, we examine how it works, how well it works, how fast it works, and what its limitations are. (Published: Jun. 2010)

Jittery Video Playback
Here's a short article that describes what to do if you are experiencing jittery video playback. We look at what could cause it and how to fix it. (Published: Jun. 2010 ; Final Cut Pro v. 5.0x, 5.1x, 6, 7.x)