Larry Jordan Blog



Tag: H.264

Worried, Even Confused, About WebM?

Posted by on February 03, 2011

Google threw a potentially huge monkey wrench into the world of online video when they announced recently that they would no longer support H.264 in their Google Chrome web browser.

Just when the world seemed to be coming together around H.264, THIS has to show up!

Anyway, I invited Philip Hodgetts onto my weekly podcast – Digital Production Buzz – to discuss this whole issue.

I found his comments so helpful in understanding this issue that I want to share them with you here.

Click here to listen to the interview. (TRT: 8:42, MP3 file)

Click here to listen to the entire show.

Click here to signup for the weekly FREE Buzz Newsletter.

Thanks!

Larry

Can You Legally Use H.264 for Professional Video?

Posted by on March 05, 2010

Recently, there’s been a big flutter on the web about whether professional video can be encoded using the H.264 codec. The reason is that the H.264 license agreement essentially states, in part, that the H.264 codec can only be used for personal, non-commercial, use; for professional use, a license fee may be involved.

Can this be true? The license agreement first appeared around 2003 – did we miss something? The answer, as we learned tonight on the Digital Production Buzz, is a resounding maybe.

Philip Hodgetts has been doing some research and tonight we interviewed him to get a better picture of the problem. You can listen to his complete interview here. (TRT: 7:01, 2.4 MB, QuickTime)

KEY SUMMARY – PROFESSIONAL USE

Note: This is not legal advice – for that, see your lawyer. However, this is our understanding of the problem, with a link to learn more.

A license fee for H.264 use is probably required for professional use if ALL the following conditions are all met:

1. The video program must be encoded using the H.264 codec. (Other codecs are not covered by this license agreement.)
2. You sell the program. (If no money changes hands, no license fee is required.)
3. The program is sold to the ultimate end user. (If you are compressing files for use by someone else, say, digital dailies, no license fee is due.)
4. These programs must be in excess of 12 minutes. (Shorter programs do not require a license fee.)

If required, the license fee is very small: $0.02 per disc sold or about 2% of gross revenue, whichever is smaller.


RELEVANT URL

Where to obtain information about a license:
www.mpegla.com/main/programs/AVC/Pages/AgreementExpress.aspx

Listen to Philip’s interview and decide for yourself what your next steps are going to be. For me, I’ll be spending time on the MPEG/LA website.

Larry