Larry Jordan Blog



Tag: Blu-ray

Creating AVCHD Discs

Posted by on May 17, 2010

Here’s another technical question that came in recently.

Sourabh asks:

I am a huge fan of your newsletters. I see you mention in quite a few newsletters burning an AVCHD disc (on a standard DVD) using FCP 7 that will give greater quality than a SD DVD. Could you please go over the process?

Larry replies: Thanks for writing!

This is a new feature in Final Cut Studio (3). Both Compressor and Final Cut Pro 7 can now create Blu-ray Discs. This means that it is now possible to put HD content onto what looks like a traditional DVD.

However, although the physical shape of the disc is the same, there are actually three flavors of DVD:

1. Traditional DVD. This is the ONLY format that DVD Studio Pro creates. All DVDs created by DVD SP are standard definition (SD) video. Yes, I know that DVD SP creates HD DVDs, however, that format died in the marketplace two years ago. If you are creating a disc only for yourself, you can use this format. However, there are no players on the market today that can play this type of disc. For this reason, use DVD SP to only create SD discs.

2. Blu-ray Disc. This is the new HD video format that you see promoted in all the stores. It requires compressing your video to meet the specs of this format and, for Macintosh folks, also requires that you purchase a separate Blu-ray Disc burner for your system. No burners shipped by Apple support this format. Also, keep in mind that as of today, no Macintosh can play a Blu-ray Disc natively on their system.

3. AVCHD Disc. This is a hybrid format. It records Blu-ray compatible video on a standard DVD disc. The benefit of this is that your current DVD burner can create this disc using standard DVD media. The disadvantage to this is that because a standard DVD only holds about 4 GB of media, while a Blu-ray Disc holds at least 6 times more, you can only get about 20-30 minutes of material on a disc. Also, because AVCHD discs require a lower data rate, it could be argued that the video quality is close to Blu-ray, but not quite equal to it. Still, the benefits of using AVCHD for short projects are great. This format also requires a Blu-ray player to be able to play the disc.


There are essentially four ways to create an AVCHD disc:

  1. From within Final Cut Pro.
  2. From within Compressor.
  3. Using Roxio Toast 10.
  4. Using Adobe Encore CS4 or later, which is part of Adobe Production Premium.

Let’s look at each of these.

The benefit to using Final Cut Pro is that it is easy. Select the sequence, or clips, you want to burn to a DVD in the Browser. Choose File > Share. Then, from the pop-up menu, select Blu-ray Disc. A side menu appears allowing you to set various parameters. You can also use this approach to create an AVCHD disc – keep in mind that you are limited to a project length of 20-30 minutes.

The disadvantage to using Final Cut is that menus are only templates and it is really designed for putting one movie on a disc. You can’t author a title or design menus the way we can in DVD SP, for example.

Bruce Nazarian has told me that the compression settings Apple uses to create Blu-ray Discs are actually very good — the image quality looks excellent.

The advantage to using Compressor is that you can adjust your compression settings; for example adding watermarks or resizing your video. However, the end result is the same as Final Cut Pro – menus are templates designed more for creating review copies of projects, not a commercial-grade Disc.

Roxio Toast 10 provides more flexibility, but the menus are still templates. You can easily add more movies. You can create your own menu graphics. But, in the end, the look and feel of the Disc is driven by the templates. Branching menus, scripting, stories, and other advanced features in DVD SP are not available.

Roxio Toast is the best choice when you want to provide a variety of different movies on a disc, using a single menu. Think demo reels.

Adobe Encore is the only application currently on the Mac that provides full authoring capability for Blu-ray Discs.

Based on what I’ve learned and in talking with others, the workflow that I would suggest when using Adobe Encore is to edit your project in Final Cut Pro. Export it as a high-quality, self-contained QuickTime movie. Compress it in Compressor as a Blu-ray file. Import the compressed file into Adobe Encore and create your HD title.

As alternatives, you can edit in Premiere and compress in Encore — it all depends upon which programs you are most familiar with.

If your project is short, create an AVCHD Disc. If you have more than 30 minutes of material, create a Blu-ray Disc. In both cases, you’ll need a Blu-ray Player to view the resulting files.

BIG News in Blu-ray Discs

Posted by on June 06, 2009

After months of conversations, petitions, and negotiations, the International Digital Media Alliance (IDMA) has announced on their website that licensing costs for Blu-ray Discs are significantly decreasing.

This means it is now much more affordable for independent producers to author and distribute their material on Blu-ray Discs.

Bruce Nazarian, president of the IDMA, sent me the following note:

“As of yesterday, new final AACS agreements are beginning to appear on the AACS website. The first one posted is the Content PARTICIPANT Agreement, aimed at high-volume AACS licensees – typically, Hollywood Studios.

http://www.aacsla.com/license/

I believe these new agreements will all reflect some long-awaited changes (cost reductions and simplifications) in the AACS fee structure, which I will report on in greater depth once the remaining agreements have been posted, and we’ve had time to digest the changes. I don’t want to post any preliminary “layman’s” interpretations of the new language, as it’s quite complex legalese.

The Final Content PARTICIPANT agreement shows reductions in Content Certificate order and fulfillment fees, which is great!

The Content PROVIDER agreement is the one most of interest to Tier 2 producers (where licensing cost $3000, one-time).
It was not online yet (as of this morning) but should appear within a few days. It is in this agreement that I believe a similar fee change will take place.

Click here to learn more.

This is great news for everyone who wants to distribute their materials on optical disc. Much of this is due to the hard work of Bruce Nazarian and the whole IDMA team.

NOTE: The IDMA website had not been updated as of the time of this writing

.

Creating Blu-ray Discs on the Mac

Posted by on January 30, 2009

With recent online reports about the latest release of iLife not even mentioning iDVD, Apple’s continued interest in extending its download business to include both SD and HD movies, and the lack of native support for Blu-ray Discs on the Mac, I am getting a lot of email from producers who need to create high-def DVDs to sell their products.

Recently, Bruce Nazarian and I put together a Special Report — The State of Blu-ray for the Digital Production Buzz. This has generated such interest that I’m posting an excerpt of it here. In this segment, Bruce describes how to create, monitor, and test Blu-ray Discs on your Mac, along with current limitations.

If you think Blu-ray technology is in your future, you need to listen to this report.

Format: QuickTime movie
TRT: 12:10
Size: 5.7 MB

Click here to listen to the excerpt.

Click here to listen to the entire show.

Digital Production BuZZ Special Report –
The State of Blu-ray

Posted by on January 23, 2009

Bruce Nazarian, president of the IDMA, and I just completed a one-hour special report on the state of Blu-ray technology.

We aired the show live yesterday on The BuZZ and posted it this evening.

You can find it here:
http://www.digitalproductionbuzz.com/Archives/ShowNotes.php?date=2009-01-21

The show has seven segments:

* Introduction
* The History of Blu-ray
* Blu-ray is More than just Video
* Creating Blu-ray Discs on PCs
* Creating Blu-ray Discs on Macs
* Issues with Blu-ray licensing
* Blu-ray vs Digital Downloads

Bruce was amazing — there were a number of issues we uncovered that I did not know about; especially when it comes to previewing and mastering your projects.

This is the first special report we’ve done on The BuZZ. If this works, we’ll do more. Let me know what you think — and let me know if there are other subjects you’d like us to examine like this in more detail.

I had a great time doing the show – hope you enjoy it.

Blu-ray Disc Petition

Posted by on November 09, 2008

To say that the whole Blu-ray Disc situation is a mess does not begin to describe the chaos in which the independent producer is caught.

We can shoot HD.

We can edit HD.

We can output HD.

But when it comes to distributing HD, we have a series of unpleasant choices:

1. Down-converting our HD materials to SD and distributing on an SD DVD.
2. Burning each DVD individually, which is fine for small runs, and disaster for large runs.
3. Paying exorbitant license fees, containing highly-restrictive policies, to get our High-Def DVDs replicated in large quantities.

Blu-ray Discs are not guaranteed to succeed. In fact, if current policies continue, it will make much more sense for independent producers to avoid them all-together and concentrate on distributing their high-def materials on-line using digital downloads. It is inexcusable to require license fees which can exceed $4,500 for your first title — EXCLUDING manufacturing costs — from small producers seeking to help grow the Blu-ray format.

Bruce Nazarian, president of the DVD Association, has been trying to get the Blu-ray Association to realize that excessive fees, restrictive policies, and an unbending attitude will destroy the Blu-ray format before it even gets started.

If you are interested in supporting their efforts – and I encourage you to do so – please visit the DVD Association website and sign their petition to get the folks at Blu-ray to realize that if the current situation does not change, they will find themselves riding a dead horse.

Website: www.dvda.org

Survey: www.dvda.org/survey/

Petition: www.dvda.org/petition/

Thanks.